Edgar (
hate_gettin_older) wrote2016-06-14 07:33 pm
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He's still not sure whether or not he wants to move out of the jaeger now. What he is sure of is that he needs to talk to Chuck about what's changed, and why.
By now he can find the towering form of Tacit Ronin in the garage as easily as he could find Painter's bunk in the Tail section, without needing to consciously track landmarks between it and the lift. He heads that way, hoping Chuck's at home.
By now he can find the towering form of Tacit Ronin in the garage as easily as he could find Painter's bunk in the Tail section, without needing to consciously track landmarks between it and the lift. He heads that way, hoping Chuck's at home.

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He's not visible, but the walkie talkie taped to the post out front is blinking a happy green that indicates he's in range of it.
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"Hey, mate. You busy?"
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"Tacit's in a real hurry to get fixed," he says, with a bit of a crackle that indicates distance from the hanging walkie talkie. He clips his flashlight to his shirt, and secures the toolbox for later. "Meet me 'round back?"
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He's actually sort of hoping Chuck could use a hand. Having something to work on while they're talking might make this easier.
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"Sure, whatever, come up," he says, abruptly stopping prep for coming down. "I'm in the anterior cable compartment, cataloging damage."
Edgar's been up here... once. It's a bit tight, but there's definitely space for at least 3 mechanics with no personal space to get shit done.
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The compartment smells of rust, which is familiar, and something salty and dank which isn't. He ducks in through the access panel, and eels around to look over Chuck's shoulder into the open cable box he's working in.
"How's it coming?"
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He glances sideways at Edgar, a sort of silent what's up if he wants to acknowledge it.
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He's about to ask what he can do to help, but at Chuck's glance he hesitates and says instead "The other night ..."
And can't figure out how to continue that sentence, and starts over.
"So I was thinking, and ... I don't think you ever asked me anything about, um. About Curtis."
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"It seemed kind of rude to," he says, and tries to make himself sound as normal and not-tensed-for-potential-emotions as possible.
He takes his tablet out of the cubby nearest him, so he's got something to look down at if stuff gets awkward.
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"And I forget how much I told you about the train. Where we came from."
It's frustrating, suddenly, having to fill in history that should be something people know.
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And at some point, Edgar died. Probably in a revolution, from the ways he doesn't talk about it.
He shrugs, awkward. "I -- guess I assumed it was worse than you said."
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He frowns at the rust-streaked wall as though it should have the next thing to say written on it somewhere.
"And I mean that's the fuckin problem, isn't it. There's always more, you can't tell everything, it's years of piled-up shite and there's too much of it that's so fuckin horrible no one wants to talk about it. Or hear about it. Right?"
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"If you don't want to," Chuck says, "you don't -- need to. You don't ... owe me." He looks back to Edgar. "I can deal with it, though. If you need to. I mean -- they're different sorts of fucked up, but I'm not from utopia."
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(He's pretty sure it's down to Gilliam that he knows what that last word even means.)
"All right. The bare bones of it's like this."
And another moment, while he works out where to start.
"I was a baby when everything froze. I don't remember anything before the train. My ... my mother died, sometime in the first month, lots of people did. Curtis basically raised me."
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(Dead mothers aren't exactly a unique story, but he's holding himself differently than he would be if Edgar hadn't mentioned it.)
"Okay," Chuck says, quietly. "He's family. Basically."
He'd kind of figured. You don't hold grudges like that against non-family (or non-Drift partners).
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"Yeah. Pretty much the only family I remember. And he's, he was also ... like not all the way back when I was a little kid, but since then, like, since a little after this huge bloody riot when I was about eleven ... he sort of turned into somebody people look to. Not just me. Like, half the Tail. He wasn't the leader, but ... it was like maybe he was going to be, after Gilliam."
He looks down at the floor, eyes flicking into corners, trying to find something to pick up and fidget with.
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He nods, and waits, and tries to politely look only vaguely-in-Edgar's-direction, so's not to freak him out.
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"So when we got organized, and made a push for the Front, to try and take the engine ... like, Gilliam was in charge, but Curtis was leading. You know?"
It's easier, talking to the ragged strip of rubber than to another face.
"So there was no fuckin way I wasn't gonna go with him. Have his back. Probably would've gone anyway, just to fight, but ..."
He sighs.
"Anyway. I din't make it more than halfway up the train. Except when I died I wound up here, and he was already here somehow, even though he didn't die till like a day later."
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Even though he'd been less than six feet from Chuck when the bomb blew.
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He winds the rubber scrap around two fingers, then one.
"So like -- a few months ago. More than that, like ... half a year ago." He gives a small huff of breath that might be ironic laughter. "You probably remember the day. I ... I found out something. About him, and ... didn't have the first fuckin clue what to do about it. 'S when I first came down here."
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He's wondered what terrible thing Curtis could've done, had his own suspicions from experience. He swallows the urge to say Edgar doesn't have to tell him. He clearly doesn't want to, so if he is he probably has to.
"Did he explain it?"
When they talked.
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He breathes out. "And then I did, that night we got stuck out in the snow."
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"You've got shit timing, mate."
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He looks down again, trying to tie a knot in the casing.
"Got it out in the open, though. I think maybe it helped. Cause I talked to him the other night, and ... like, we could talk again. Even though nothing's changed."
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(He just wishes his dad were here, would actually come talk to him. Either he hasn't been, or he just... doesn't want to.)
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"... so I dunno what happens now."
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"Please don't tell me you're asking for advice," Chuck says, and it's somewhere between amused and deadly serious. "People are complicated."
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The laughter fades, although he still looks a touch less gloomy for it. He turns the twist of rubber in his hands again, bounces one heel briefly against the grate.
"We used to be in the same room, and then this shite happened and I left. Only now he's bunking with Dejah, and -- I mean, if I wanted to have my own room I coulda done that anytime, so it's not like that's changed. But I dunno, maybe ... you might want this place to yourself again sometime?"
That last is a touch dubious; he still finds it a little hard to believe that some people prefer sleeping entirely on their own.
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"Nah," Chuck says, "I'm used to you."
And he's got a room back at the bar, still, which he can't imagine sleeping in -- not right next to that closet -- but it's an escape route if either of them needs it.
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